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Tenor
Larson Miller (‘Vey-to’)
A “unique and captivating stage presence,” (Maestro Andy Anderson), rising American tenor Larson Miller has interpreted a range of operatic works and American songbook repertoire. A strong proponent of naturalistic singing and the healing strength of raising one’s voice in outdoor environs, he was first taught to sing in the great outdoor cathedral of the Monadnock mountain region, where he was raised on local Shaker hymnals from a very early age.
Larson, who also performs under his stagename Veto [Vey-to], has sung in productions across Boston and Washington, DC metro areas, featuring with Don Basilio/Don Curzio in Le Nozze di Figaro and Don Issachar/The Baron in Candide as an Emerging Artist with Opera in the Ozarks, Gastone/Dr. Caius in Passione: A Celebration of Italian Opera (Peabody Opera Theatre), Abraham Kaplan in Street Scene (Peabody Opera Theatre), Boston Summer Opera’s 2025 production of Rigoletto as Borsa Cover, in Boston Summer Opera’s Concert Series The Golden Age of Italian Opera, with Opera51 as Anthony Cover in Sweeney Todd, and with the Raylynmore Opera House as Samuel in Pirates of Penzance. His sung ensemble experience includes The Washington Chorus as tenor section lead and selected soloist in collaboration with the National Philharmonic Orchestra at the Kennedy Center & Wolftrap Stage, and with Exigence Vocal Ensemble at the Kennedy Center. Most recently, he performed as the tenor soloist in Béla Bartók’s Cantata Profana.
Larson Miller graduated from the 4-year vocal program at Sarah Lawrence College. He currently studies in the voice studio of Professor Ah Young Hong, where he pursues operatic voice at the Peabody Institute of Johns Hopkins. He is also a self-taught pianist and award-winning stage sound designer (WATCH Awards 2024). Larson’s great-grandfather, Vittorio (Veto to his friends and family), came to a Pennsylvania mining town from Italy, and began a line of Victors stretching three generations.
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Tenor
Larson Miller (‘Vey-to’)
A “unique and captivating stage presence,” (Maestro Andy Anderson), rising American tenor Larson Miller has interpreted a range of operatic works and American songbook repertoire. A strong proponent of naturalistic singing and the healing strength of raising one’s voice in outdoor environs, he was first taught to sing in the great outdoor cathedral of the Monadnock mountain region, where he was raised on local Shaker hymnals from a very early age.
Larson, who also performs under his stagename Veto [Vey-to], has sung in productions across Boston and Washington, DC metro areas, featuring with Don Basilio/Don Curzio in Le Nozze di Figaro and Don Issachar/The Baron in Candide as an Emerging Artist with Opera in the Ozarks, Gastone/Dr. Caius in Passione: A Celebration of Italian Opera (Peabody Opera Theatre), Abraham Kaplan in Street Scene (Peabody Opera Theatre), Boston Summer Opera’s 2025 production of Rigoletto as Borsa Cover, in Boston Summer Opera’s Concert Series The Golden Age of Italian Opera, with Opera51 as Anthony Cover in Sweeney Todd, and with the Raylynmore Opera House as Samuel in Pirates of Penzance. His sung ensemble experience includes The Washington Chorus as tenor section lead and selected soloist in collaboration with the National Philharmonic Orchestra at the Kennedy Center & Wolftrap Stage, and with Exigence Vocal Ensemble at the Kennedy Center. Most recently, he performed as the tenor soloist in Béla Bartók’s Cantata Profana.
Larson Miller graduated from the 4-year vocal program at Sarah Lawrence College. He currently studies in the voice studio of Professor Ah Young Hong, where he pursues operatic voice at the Peabody Institute of Johns Hopkins. He is also a self-taught pianist and award-winning stage sound designer (WATCH Awards 2024). Larson’s great-grandfather, Vittorio (Veto to his friends and family), came to a Pennsylvania mining town from Italy, and began a line of Victors stretching three generations.
